Vasantha Yogananthan

A Myth of Two Souls

Tuesday to Sunday, 11pm - 6pm.
From February 20 to May 5, 2019

Vasantha Yogananthan, Cricket Match, Chitrakoot, Madhya Pradesh, India, 2013 © Vasantha Yogananthan / courtesy Espace JB (Genève) & The Photographers’ Gallery Print Sales (Londres)

With the aim of supporting and promoting contemporary institutional creation, the Musée de l’Elysée is presenting the first personal exhibition in a museum institution of Vasantha Yogananthan’s project A Myth of Two Souls. Born in 1985, the self-taught French photographer belongs to a generation that likes to blur the lines between fiction and reality. This series was inspired by the Ramayana, a fundamental epic poem from Hindu mythology written in Sanskrit somewhere between the 3rd century BCE and the 3rd century CE.   

For six years, Vasantha Yogananthan made regular trips to India and Sri Lanka to complete his project, of which the greater part of the seven chapters are exhibited together for the first time. A specific area for each chapter is set up on the lower level of the Musée de l’Elysée, creating a particular atmosphere specific to each of the stylistics called upon by the artist to develop his story. While the first few rooms –and indeed, chapters–are relatively traditionally laid out, exhibiting framed prints on the wall, the following rooms make it possible to showcase alternative systems of exhibiting, such as screening, paperhanging and installation.

The artist indeed develops different aesthetic treatments and explores, or revisits, ancestral techniques. This is particularly true for the inaugural section of A Myth of Two Souls, made up of black and white photographs taken with a view camera and then coloured by hand by an Indian painter in keeping with the 19th century tradition before the advent of colour film. Vasantha Yogananthan reclaims this technique while at the same time modernising it, taking his photographs outside the studio and using passers-by as actors. The field of domestic portraits is thus expanded to cover society as a whole – with no class distinction – as well as the entire land, from huge cities to the depths of the countryside.

The seven chapters exhibited – Early Times, The Promise, Exile, Dandaka, The Quest, Afterlife, The Epilogue – offer visitors the chance to wander through both time and geography whilst introducing them to rarely used photographic techniques and an original scenography. The exhibition includes photographic works, repainted prints and a multi-channel video installation.  

Vernissage: Tuesday, February 19 at 6pm  

 

 

Publication

Each chapter developed in the exhibition will also be accompanied by a publication. To date, the following have been published by Editions Chose commune: Early Times (2016), The Promise (2017), Exile (2017) and Dandaka (2018), all of which available online and at the museum’s bookstore.

Curator

Vasantha Yogananthan & Lydia Dorner, Exhibitions’ Department, Musée de l’Elysée.
With the collaboration of Studio Kummer & Herrman    

Vasantha Yogananthan, The Evening Before, Janakpur, Nepal, 2016 © Vasantha Yogananthan

[Translate to English:] Vasantha Yogananthan, Lovebird, Chitrakoot, Ramtek, Maharashtra, India, 2015 © Vasantha Yogananthan


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